Automate what repeats
We look at how your people actually work, and target what’s done by hand for no reason. A quote retyped in three places, inventory kept in a spreadsheet, a report copied out every week.
On air · Brossard · Quebec City
DXM designs, integrates and maintains the technical infrastructure and systems that support your operations.
Serving broadcasters and studios since 2015
What we’re installing right now


Find a shot by what it shows, not by its filename — automatic indexing does the cataloguing nobody has time for.


Six 5G modems, two cameras at once, seven hours of runtime and sub-second latency. The field unit that isn’t allowed to drop.


The bridge between SDI and IP, to migrate without replacing everything at once.


Full-frame sensor, clean output for live keying and NDI HX3 certification — cinema quality in a body that fits anywhere.


4K UHD and HDR encoder with native SRT: quality live video over an ordinary internet link, no dedicated circuit.


The engine that builds the set behind the host and tracks the camera so the perspective stays right.


Live on-air graphics, fed from your data at the source — not retyped by hand during the show.
They trust us
Bell Média
CBC/Radio-Canada
Groupe TVA
Groupe CH
Télé-Québec
TSN
Sphère Média
Groupe KOThe brands we know inside out
Shared storage and post-productionAuthorized partner
Transmission and mobile productionAuthorized partner
Intercom and routingAuthorized partner
Capture and virtual productionAuthorized partner
Control room and video processingAuthorized partner
Virtual productionAuthorized partner
Encoding and video transportAuthorized partner
Graphics and on-air brandingAuthorized partner


The repetitive work that eats your days, data scattered across five systems that don’t talk to each other, decisions waiting on someone to compile a report: that can be automated. We design the tool with you, and we stay on when it needs to evolve.
We look at how your people actually work, and target what’s done by hand for no reason. A quote retyped in three places, inventory kept in a spreadsheet, a report copied out every week.
When no off-the-shelf software does the job, we build it. Designed for your operations, not a generic industry: and delivered with what you need to run it without depending on us.
AI isn’t an end in itself. It earns its place when it finds a drawing in ten years of archives, summarizes a meeting, or sorts what needs your attention. The rest is fashion.
Our own case
DXM Central is the system we built for ourselves: inventory, quotes, projects, clients. Our technicians open it every morning. When we talk about automation, we’re talking about something we run too: under the same real-world constraints as yours.
Design, integration and commissioning of audiovisual and broadcast infrastructure: control rooms, studios, conference rooms, production systems.
Shared storage systems, production networks, post-production workflows and archive management for high-bandwidth media environments.
Support contracts, a shared spare parts pool and annual audits to extend the useful life of mission-critical production infrastructure.
Design and construction of custom business systems: quotes, purchasing, receiving, invoicing, time. Built to be operated, not demonstrated.
Virtual studios on green screen or LED wall: stage design and integration, camera tracking, real-time render engines, and the production workflow around them.
AI integration for businesses in Quebec: assessment, use-case selection, deployment, training. We start with a process that hurts, not a tool that shines.
LED walls, LED screens and digital signage: design, calibration, installation and content management — from the lobby to the showroom.
An experienced technical director, for as long as you need: parental leave, vacations, overflow — or one day a week, year-round, to keep the installed base healthy.
Editors, colorists, coordinators, directors, multi-skilled technicians: a bench of qualified production and postproduction freelancers, ready to deliver.
We all come out of production. Operators, stage technicians, control room people: we’ve run live shows, tight deadlines, nights when the signal has to get through, period. The reality you describe to us is one we’ve lived from the other side of the console.
That changes what we install. If we couldn’t operate it ourselves on a Tuesday night, without the manual, we won’t propose it. And our technicians are on live production sites every week: we don’t forget the distance between what gets drawn and what happens on air.
Same logic when we write software: the entire company runs on a system we built ourselves. We don’t sell a plan or a demo, we deliver what we use.


National channels dark on Friday morning, baseball on the air Sunday night — then full temporary studios, a virtual set and a routing backbone built in the weeks that followed.

Communication and capture infrastructure sized for live events — deployed for Quebec’s most prominent sports and entertainment organization.

Seven years on the same platform, with no forced migration and no media loss — then a planned, full renewal instead of an emergency replacement.
One day inside your operations or your equipment fleet. You leave with a real picture and a firm estimate, even if you don’t continue with us.
Five engagements per quarter. When it’s full, it’s full.
Describe what you need to do, not what you think you need to buy. We point you to the right person at DXM, and we say so when it isn’t for us.
Phone : 514 447-4860
Email : info@dxmtech.com